Set in an allegorical "other place" that is a metaphor of a lost Egypt. Sketching a parallel between exile and death, creating a genuine self-portrait in film, at once intimate and solemn.
Tahar Rahim
Fanny Ardant
1996 · ★ 7.1
2008 · ★ 6.2
2018 · ★ 6.3
1994 · ★ 7.0
2012 · ★ 6.3
2024 · ★ 6.2
1999 · ★ 7.2
1982 · ★ 6.0
2010 · ★ 6.8
1956 · ★ 7.8
2019 · ★ 7.0
1984 · ★ 8.1
2000 · ★ 6.2
2000 · ★ 6.9
2012 · ★ 7.3
1991 · ★ 6.9
1973 · ★ 7.0
2023 · ★ 6.4
1987 · ★ 6.1
1925 · ★ 7.3
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