A descent into the blackness of the projected image and the curators who flick the switches and grease up all moveable parts for hot action when the lights go out.
Rebecca Barten
George Kuchar
David Sherman
2025 · ★ 7.5
2014 · ★ 6.0
2018 · ★ 7.4
2001 · ★ 6.9
2019 · ★ 6.7
2021 · ★ 6.6
2022 · ★ 6.8
1987 · ★ 6.9
2012 · ★ 6.1
2006 · ★ 6.4
2022 · ★ 7.2
2021 · ★ 6.4
2022 · ★ 7.5
1993 · ★ 6.2
1928 · ★ 6.6
2022 · ★ 6.1
2026 · ★ 7.2
2024 · ★ 7.4
2010 · ★ 7.8
1970 · ★ 6.6
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